Next up we have a pair of 3d printed aurumvorax..er..aurumvoraces? These are a weird D&D monster whose name translates roughly as "gold glutton" and the model is by Yasashii Kyojin Studio. I didn't follow the D&D directions beyond the golden pelt which makes the figures look glossier than they actually are. These were a speed paint mostly played by airbrushing basecoats, contrast paint on the mane, and a rough drybrushing with that same ancient and lousy metallic brass both done within an hour or so. I might print these again and do some fur patterns as practice in the future.
Next we have a Reaper Bones Burrowing Horror. I bought this guy as a companion for the various bulettes and other elementals I have in my collection for a previous campaign. Obviously, he didn't make it for that and sat primed on my painting desk for what seems like a stupidly long time taking up more space than I liked. Well, he's painted now and I hit the high points I was looking for. Namely, I wanted fairly subtle tints of grey which I think work pretty well. A lot of the work on his armor is drybrushing but what really sold it was the very laborious picking out of scales, teeth, and claws. Overall, I think it's a good result for a couple hours of work.
This last guy is a Reaper Bones Cretus, Minotaur (notably not metal) and was not a speed paint though it probably doesn't seem that way. I've been painting this guy on and off for a year or so. The important part was selling his crazy musculature and his many metallics. I got half of that ultimately and painted and re-painted his fleshtones probably three times till I got here played by some lousy basecoating followed by airbrush highlights to restore the lighting, and hitting him with an oil wash with last week's Ghar dudes since I had one handy and didn't want to mess with this guy anymore. The metallics are crap but I wanted him done and he is now.
2022 finished mini counter: 228/100
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